1 00:00:01,293 --> 00:00:02,586 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,586 --> 00:00:05,005 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:05,005 --> 00:00:06,674 FBI Director: WE NEED YOU IN VIRGINIA, RYAN. 4 00:00:06,674 --> 00:00:08,175 I'M NOT AN AGENT ANYMORE. 5 00:00:08,175 --> 00:00:10,469 YOU CAUGHT CARROLL. NO ONE KNOWS HIM LIKE YOU DO. 6 00:00:10,469 --> 00:00:12,011 SO WHAT'S MY SEQUEL ABOUT, JOE? 7 00:00:12,011 --> 00:00:14,222 Carroll: WE'RE GONNA WRITE THIS TOGETHER, RYAN. 8 00:00:14,222 --> 00:00:15,850 OHH! 9 00:00:15,850 --> 00:00:18,310 EVEN THOUGH YOU SLEPT WITH MY WIFE. 10 00:00:18,310 --> 00:00:23,022 I HAVE SO MANY SURPRISES WAITING FOR YOU. 11 00:00:23,022 --> 00:00:24,358 Claire: HE FANCIES HIMSELF EDGAR ALLEN POE. 12 00:00:24,358 --> 00:00:26,193 THAT WAS THE IMPETUS FOR WRITING HIS NOVEL. 13 00:00:26,193 --> 00:00:27,653 WE GOT MORE BODIES. 14 00:00:27,653 --> 00:00:29,404 Ryan: HE REMOVED THE EYES, CARROLL'S SIGNATURE. 15 00:00:29,404 --> 00:00:31,824 HE USED THIS PRISON GUARD TO GAIN ACCESS TO THE INTERNET 16 00:00:31,824 --> 00:00:33,200 TO CREATE A CULT. 17 00:00:33,200 --> 00:00:35,076 AGENT PARKER'S TAKING THE LEAD. 18 00:00:35,076 --> 00:00:36,996 CULTS, MY SPECIALTY. 19 00:00:36,996 --> 00:00:39,164 Ryan: ICE PICK LADY, GAY NEIGHBORS, 20 00:00:39,164 --> 00:00:42,292 AND THE NANNY, HOW DO THEY FIGURE INTO YOUR NEW PLOT? 21 00:00:42,292 --> 00:00:45,212 WHERE IS HE? JOEY? WHERE IS MY SON?! 22 00:00:45,212 --> 00:00:46,839 Riley: CARROLL KNOWS WHERE THE KID IS. 23 00:00:46,839 --> 00:00:47,882 HE'S NOT GONNA TELL US. 24 00:00:47,882 --> 00:00:49,967 HE MIGHT TELL HIS WIFE. 25 00:00:49,967 --> 00:00:52,761 YOU SON OF A BITCH, WHERE'S MY SON? 26 00:00:54,889 --> 00:00:57,224 "TAKE THY BEAK FROM OUT OF MY HEART, 27 00:00:57,224 --> 00:01:00,185 AND TAKE THY FORM FROM OFF MY DOOR." 28 00:01:00,185 --> 00:01:03,313 QUOTH THE RAVEN "NEVERMORE." 29 00:01:03,313 --> 00:01:06,650 AND THE RAVEN, NEVER FLITTING, STILL IS SITTING, 30 00:01:06,650 --> 00:01:07,693 STILL IS SITTING... 31 00:01:07,693 --> 00:01:08,944 IF YOU DON'T LIKE THE PIECE, 32 00:01:08,944 --> 00:01:11,697 CALL MY EDITOR, SCREAM AT HIM. 33 00:01:11,697 --> 00:01:14,408 IT IS TOO EARLY FOR THIS CRAP. 34 00:01:14,408 --> 00:01:15,826 YOU HAVE A NICE DAY. 35 00:01:15,826 --> 00:01:17,452 Poe impersonator: LIES FLOATING ON THE FLOOR 36 00:01:17,452 --> 00:01:20,998 SHALL BE LIFTED--NEVERMORE! 37 00:01:44,229 --> 00:01:46,314 HEY! 38 00:02:09,630 --> 00:02:10,923 GOOD MORNING, CLAIRE. 39 00:02:12,382 --> 00:02:13,383 AAH! 40 00:02:23,060 --> 00:02:24,185 GOOD MORNING, MA'AM. 41 00:02:24,185 --> 00:02:25,520 IS RYAN HARDY HERE? 42 00:02:25,520 --> 00:02:28,774 NO, MA'AM. HE LEFT OVER AN HOUR AGO. 43 00:02:42,079 --> 00:02:45,040 HOW'D YOU SLEEP? THAT MOTEL THEY STUCK US IN SUCKS. 44 00:02:45,040 --> 00:02:46,207 THE BED IS BRICKS. 45 00:02:46,207 --> 00:02:47,459 HOW MANY FINGERPRINTS? 46 00:02:47,459 --> 00:02:50,504 9 IN TOTAL. SEVERAL WERE OLDER PRINTS, 47 00:02:50,504 --> 00:02:52,631 BUT UPSTAIRS IN THE ATTIC ROOM, 48 00:02:52,631 --> 00:02:54,675 THAT IS WHERE WE FOUND 6 SETS. 49 00:02:54,675 --> 00:02:56,343 THEY'RE THE NEWEST ONES WE FOUND. 50 00:02:56,343 --> 00:02:59,013 I'M GUESSING THAT'S WHERE THEY GATHERED MOST. 51 00:02:59,013 --> 00:03:02,808 4 OF THE SETS BELONG TO EMMA, JACOB, PAUL, AND JORDY. 52 00:03:02,808 --> 00:03:06,269 YEAH. THAT'S 4. THE GUY WITH THE POE MASK THAT ATTACKED ME. 53 00:03:06,269 --> 00:03:07,855 5. 54 00:03:07,855 --> 00:03:10,774 YOU REALLY THINK THAT THIS CULT IS LIMITED TO 6 PEOPLE? 55 00:03:10,774 --> 00:03:14,653 WE WEREN'T SUPPOSED TO FIND THEIR LITTLE CLUBHOUSE. 56 00:03:14,653 --> 00:03:16,237 I TELL YOU, THERE'S GOT TO BE SOMETHING HERE 57 00:03:16,237 --> 00:03:18,032 THAT WILL TELL US WHERE JOEY MATTHEWS IS. 58 00:03:18,032 --> 00:03:19,992 UH-UH. I'VE BEEN THROUGH EVERY PIECE OF IT. 59 00:03:19,992 --> 00:03:23,453 NOTHING POINTS TO WHERE HE IS OR WHY THEY TOOK HIM. 60 00:03:23,453 --> 00:03:25,664 I WANT TO UNDERSTAND WHAT THIS CULT IS ABOUT. 61 00:03:25,664 --> 00:03:27,290 I MEAN, WHAT'S CARROLL'S MESSAGE? 62 00:03:27,290 --> 00:03:29,918 KORESH, JONES, MANSON-- THEY ALL USED MIND CONTROL 63 00:03:29,918 --> 00:03:32,921 TO REINFORCE THEIR MESSAGE OF FAMILY AND UNITY OVER THE INDIVIDUAL. 64 00:03:32,921 --> 00:03:34,548 DIDN'T MANSON CONVINCE HIS FAMILY TO KILL 65 00:03:34,548 --> 00:03:36,466 FOR HIS OWN SELFISH NEEDS? 66 00:03:36,466 --> 00:03:38,927 YEAH, BUT HE DRESSED IT UP IN SEVERAL DIFFERENT MOTIVES AT ONCE. 67 00:03:38,927 --> 00:03:41,388 HE'D TEST HIS FOLLOWERS 68 00:03:41,388 --> 00:03:43,473 WITH ACTS OF MURDER IN ORDER TO PROVE THEIR DEVOTION. 69 00:03:43,473 --> 00:03:45,642 HE WAS A BRILLIANT MANIPULATOR, 70 00:03:45,642 --> 00:03:48,979 GET ANYONE TO DO ANYTHING. 71 00:03:48,979 --> 00:03:50,856 JOE WAS A TEACHER. 72 00:03:50,856 --> 00:03:52,066 HE WAS A MAN OF IDEAS, 73 00:03:52,066 --> 00:03:53,859 AND HE WAS BRILLIANT AT IT. 74 00:03:53,859 --> 00:03:55,485 I WITNESSED HIM AT CLASS 75 00:03:55,485 --> 00:03:58,363 HE COULD ENGAGE AND INSPIRE HIS STUDENTS 76 00:03:58,363 --> 00:04:01,742 IN WAYS THAT I'D NEVER SEEN BEFORE. 77 00:04:01,742 --> 00:04:05,579 Carroll: HESTER HAD BROKEN FREE FROM ALL OF THAT. 78 00:04:05,579 --> 00:04:10,625 SHE HAD--SHE HAD CREATED HER OWN MORAL CODE. 79 00:04:10,625 --> 00:04:17,758 ARE WE NOT ABLE TO BREAK FREE AND--AND DO WHATEVER WE WANT 80 00:04:17,758 --> 00:04:22,679 AS LONG AS WE ARE WILLING TO PAY LIFE'S CONSEQUENCES? 81 00:04:22,679 --> 00:04:27,434 WHAT IS--WHAT IS YOUR MORAL CODE? 82 00:04:27,434 --> 00:04:31,521 MAKE IT UNIQUE UNTO YOURSELF, 83 00:04:31,521 --> 00:04:35,817 AND IT WILL BLEED INTO YOUR WRITING. 84 00:04:38,153 --> 00:04:40,197 YEAH. 85 00:04:40,197 --> 00:04:41,907 THANK YOU. 86 00:04:41,907 --> 00:04:43,450 HOW'S YOUR BESIDE MANNER? 87 00:04:43,450 --> 00:04:44,492 JORDY'S AWAKE. 88 00:04:46,203 --> 00:04:48,288 HEY, JORDY. HOW YOU FEELING? 89 00:04:48,288 --> 00:04:49,915 HOW AM I FEELING? YOU SHOT ME. 90 00:04:49,915 --> 00:04:52,167 YEAH. SORRY ABOUT THAT. 91 00:04:52,167 --> 00:04:55,170 TELL US WHERE JOEY MATTHEWS IS. 92 00:04:55,170 --> 00:04:57,256 OH, IS THAT ALL? 93 00:04:57,256 --> 00:04:59,591 DO YOU THINK I'M STUPID? 94 00:04:59,591 --> 00:05:00,968 I'M NOT TALKING. 95 00:05:00,968 --> 00:05:02,761 I THINK YOU'RE LOOKING AT THE DEATH PENALTY. 96 00:05:02,761 --> 00:05:05,097 I'LL NEVER MAKE IT TO THE CHAIR. 97 00:05:05,097 --> 00:05:06,640 I'M A CORRECTIONAL OFFICER. 98 00:05:06,640 --> 00:05:09,977 I WON'T LAST A WEEK IN PRISON, 99 00:05:09,977 --> 00:05:13,730 BUT CAN I TELL YOU A LITTLE SECRET? 100 00:05:13,730 --> 00:05:16,191 IT WAS WORTH IT 101 00:05:16,191 --> 00:05:18,860 TO KILL THOSE GIRLS, 102 00:05:18,860 --> 00:05:21,696 TO HOLD THEM IN MY HANDS WHILE THEY DIED, 103 00:05:21,696 --> 00:05:23,406 FELT THEIR LAST BREATH. 104 00:05:23,406 --> 00:05:25,617 YOU KNOW I TALKED TO JOE, RIGHT? 105 00:05:25,617 --> 00:05:28,662 HE WAS VERY UPSET TO FIND OUT THAT YOU WERE STILL ALIVE. 106 00:05:28,662 --> 00:05:30,080 HE WANTED YOU DEAD. YOU FAILED. 107 00:05:30,080 --> 00:05:31,581 YOU WERE SUPPOSED TO KILL CLAIRE MATTHEWS. 108 00:05:31,581 --> 00:05:33,416 WEREN'T THOSE THE RULES? 109 00:05:36,295 --> 00:05:38,505 I KNOW WHAT YOU'RE DOING. 110 00:05:38,505 --> 00:05:39,798 IT'S NOT GONNA WORK. 111 00:05:39,798 --> 00:05:41,675 COME ON, JORDY. 112 00:05:41,675 --> 00:05:44,803 WHERE'S JOEY? 113 00:05:44,803 --> 00:05:46,638 ♪ LA LA LA ♪ 114 00:05:46,638 --> 00:05:48,015 I CAN'T HEAR YOU. JORDY. 115 00:05:48,015 --> 00:05:49,348 ♪ LOOK AT WHAT'S HAPPENED TO ME ♪ 116 00:05:49,348 --> 00:05:51,310 COME ON. JUST TELL US WHERE-- 117 00:05:51,310 --> 00:05:53,979 ♪ I CAN'T BELIEVE IT MYSELF ♪ 118 00:05:53,979 --> 00:05:56,940 ♪ SUDDENLY I'M UP ON TOP OF THE WORLD ♪ 119 00:05:56,940 --> 00:05:58,108 JORDY! JORDY! 120 00:05:58,108 --> 00:06:00,277 ♪ SHOULD HAVE BEEN SOMEBODY ELSE ♪ 121 00:06:00,277 --> 00:06:01,402 AAH! 122 00:06:01,402 --> 00:06:02,654 Parker: HEY! SORRY. I SLIPPED. 123 00:06:02,654 --> 00:06:03,780 YOU CAN'T DO THAT! 124 00:06:08,869 --> 00:06:10,162 Weston: SORRY FOR THE SHAKY CAM. 125 00:06:10,162 --> 00:06:11,205 IT'S FROM A WITNESS' CELL. 126 00:06:11,205 --> 00:06:12,664 Parker: WHAT ARE WE WATCHING? 127 00:06:12,664 --> 00:06:13,707 STREET PERFORMANCE BY A MAN DRESSED AS POE 128 00:06:13,707 --> 00:06:14,791 EARLY THIS MORNING. 129 00:06:14,791 --> 00:06:16,251 RECOGNIZE THE MASK? 130 00:06:16,251 --> 00:06:17,794 HE WAS DOING THIS ON THE STREET? 131 00:06:17,794 --> 00:06:20,379 IT'S VERY COMMON. IT'S THE HISTORICAL DISTRICT, 132 00:06:20,379 --> 00:06:21,965 AND HERE IT COMES. 133 00:06:25,677 --> 00:06:27,971 HEY. WAIT. WHO'S THE VICTIM? 134 00:06:27,971 --> 00:06:30,265 STAN FELLOWS, BOOK CRITIC. 135 00:06:30,265 --> 00:06:32,267 YEAH. RICHMOND PAPER. I KNOW THIS GUY. 136 00:06:32,267 --> 00:06:33,643 I INTERVIEWED HIM FOR MY BOOK. 137 00:06:33,643 --> 00:06:35,478 HE WROTE A SCATHING REVIEW 138 00:06:35,478 --> 00:06:37,231 OF CARROLL'S BOOK "THE GOTHIC SEA." 139 00:06:37,231 --> 00:06:38,357 IT WAS THE WORST I READ. 140 00:06:38,357 --> 00:06:40,275 SUSPECT THREW CONFETTI ON THE CROWD. 141 00:06:40,275 --> 00:06:41,735 IT'S GOT WRITING ON IT. 142 00:06:41,735 --> 00:06:43,195 "GENEROUS CRITIC FANN'D THE POET'S FIRE, 143 00:06:43,195 --> 00:06:45,155 AND TAUGHT THE WORLD WITH REASON TO ADMIRE." 144 00:06:45,155 --> 00:06:46,573 THAT'S POE. 145 00:06:46,573 --> 00:06:47,782 SO CARROLL WANTS HIS FOLLOWERS 146 00:06:47,782 --> 00:06:49,910 TO EXACT REVENGE ON HIS CRITICS? 147 00:06:49,910 --> 00:06:52,037 THAT COULD TAKE A WHILE. 148 00:06:52,037 --> 00:06:53,454 Woman on TV: THE RECENT STRING OF MURDERS 149 00:06:53,454 --> 00:06:55,082 IN THE WAKE OF JOE CARROLL'S PRISON ESCAPE 150 00:06:55,082 --> 00:06:57,416 IS RAISING ALL KINDS OF SPECULATION. 151 00:06:57,416 --> 00:07:00,712 IS THIS THE WORK OF A CULT? 152 00:07:00,712 --> 00:07:03,673 HEY. THE PRESS IS OFFICIALLY CALLING US A CULT, 153 00:07:03,673 --> 00:07:05,092 BUT THE FBI WON'T CONFIRM IT, 154 00:07:05,092 --> 00:07:07,010 SO THEY'VE ISSUED A MEDIA BLACKOUT. 155 00:07:07,010 --> 00:07:09,388 THAT'S BECAUSE THEY'RE COMPLETELY CLUELESS. 156 00:07:09,388 --> 00:07:10,972 HAVE YOU TALKED TO EMMA? 157 00:07:10,972 --> 00:07:13,183 NO. NO. WHY? 158 00:07:13,183 --> 00:07:15,269 THINGS ARE WEIRD BETWEEN YOU GUYS, 159 00:07:15,269 --> 00:07:20,941 AND TO BE FAIR, YOU HAVEN'T BEEN THAT NICE TO HER. 160 00:07:20,941 --> 00:07:24,319 OH. IS THAT RICK? AWESOME! 161 00:07:24,319 --> 00:07:26,780 LOOK. HERE'S SOME COOL FOOTAGE OF THE FIRE. 162 00:07:26,780 --> 00:07:30,033 SO--SO TORCH MAN'S A HIT, HUH? 163 00:07:30,033 --> 00:07:31,326 I KNEW IT WOULD WORK. 164 00:07:33,078 --> 00:07:35,330 IF YOU HATE BLOOD SO MUCH, WHAT ABOUT FIRE? 165 00:07:35,330 --> 00:07:36,455 IT'S FLASHY. 166 00:07:36,455 --> 00:07:39,167 I DON'T HATE BLOOD. 167 00:07:39,167 --> 00:07:41,044 WHAT ABOUT REMOVING THE EYES? 168 00:07:41,044 --> 00:07:42,670 YOU CAN'T DO THAT WITH FIRE. 169 00:07:42,670 --> 00:07:45,590 ACTUALLY YOU CAN, DOOFUS. 170 00:07:45,590 --> 00:07:48,843 Paul: WHAT JORDY MEANS IS THE EYES ARE JOE'S SIGNATURE. 171 00:07:48,843 --> 00:07:50,971 FIRE DOESN'T GO WITH GOUGING EYES. 172 00:07:50,971 --> 00:07:52,639 YOU'RE BEING LITERAL. 173 00:07:52,639 --> 00:07:54,766 BESIDES, WE'RE SUPPOSED TO FIND OUR OWN VOICE, 174 00:07:54,766 --> 00:07:58,228 NOT JUST COPY JOE'S STORY, DOOFUS DEUX. 175 00:07:58,228 --> 00:08:00,314 Jordy: I LIKE JOE'S STORY. 176 00:08:00,314 --> 00:08:01,606 THEN HAVE AT IT, JORDY. 177 00:08:01,606 --> 00:08:03,400 YOU DO IT YOUR WAY, I'LL DO IT MINE. 178 00:08:07,321 --> 00:08:09,197 JUST TALK TO EMMA, OK? 179 00:08:09,197 --> 00:08:10,991 YOU DON'T SEE IT, DO YOU? 180 00:08:10,991 --> 00:08:14,202 I MEAN, THAT GIRL WEARS A LOT OF FACES. 181 00:08:14,202 --> 00:08:16,163 I DON'T GET THE EMMA YOU GET. 182 00:08:16,163 --> 00:08:18,832 Emma: WHAT EMMA IS THAT, PAUL? 183 00:08:18,832 --> 00:08:20,208 OH, WE WERE JUST TALKING-- 184 00:08:20,208 --> 00:08:22,002 DON'T COVER FOR HIM. 185 00:08:22,002 --> 00:08:23,920 IF HE HAS SOMETHING TO SAY... 186 00:08:27,215 --> 00:08:28,591 FORGET IT. 187 00:08:40,770 --> 00:08:42,356 HEY, GUYS. WE GOT HIM. 188 00:08:42,356 --> 00:08:44,107 THERE'S A BUSINESS OWNER DOWNTOWN WITH A SECURITY CAMERA 189 00:08:44,107 --> 00:08:45,692 IN AN ALLEY TWO BLOCKS AWAY. 190 00:08:45,692 --> 00:08:47,486 CAN YOU GET A LICENSE PLATE? 191 00:08:47,486 --> 00:08:48,611 WAY AHEAD. 192 00:08:48,611 --> 00:08:50,238 CAR'S REGISTERED TO... 193 00:08:50,238 --> 00:08:52,073 RICK KESTER. HE'S 29. 194 00:08:52,073 --> 00:08:53,700 120 CHURCHILL. 195 00:09:41,331 --> 00:09:44,125 AAH! 196 00:09:44,125 --> 00:09:45,335 PLEASE DON'T HURT ME. 197 00:09:45,335 --> 00:09:46,794 Parker: WE'RE NOT GONNA HURT YOU. 198 00:09:46,794 --> 00:09:48,255 WHO ARE YOU? 199 00:09:48,255 --> 00:09:49,881 MAGGIE KESTER. I LIVE HERE. 200 00:09:49,881 --> 00:09:50,882 YOU KNOW RICK KESTER? 201 00:09:50,882 --> 00:09:52,759 YES, I DO. HE'S MY HUSBAND. 202 00:09:57,680 --> 00:09:59,516 Parker: THANK YOU FOR AGREEING TO COME DOWN AND TALK TO US. 203 00:09:59,516 --> 00:10:01,851 ARE YOU KIDDING? I DON'T WANT TO STAY IN THAT HOUSE ALONE. 204 00:10:01,851 --> 00:10:03,895 WHEN WAS THE LAST TIME YOU HEARD FROM YOUR HUSBAND? 205 00:10:03,895 --> 00:10:05,522 LAST NIGHT. 206 00:10:05,522 --> 00:10:09,650 HE...CALLED. I DIDN'T PICK UP. 207 00:10:09,650 --> 00:10:12,446 WE'RE SEPARATED. 208 00:10:12,446 --> 00:10:14,989 6 MONTHS NOW. 209 00:10:14,989 --> 00:10:17,158 UM... 210 00:10:17,158 --> 00:10:20,537 7:15. HE DIDN'T LEAVE A MESSAGE. 211 00:10:20,537 --> 00:10:21,829 WHY WERE YOU HIDING FROM US? 212 00:10:21,829 --> 00:10:23,248 I DIDN'T KNOW IT WAS YOU. I WAS SCARED. 213 00:10:25,166 --> 00:10:26,709 HE STILL HAS A KEY, 214 00:10:26,709 --> 00:10:29,170 AND HE'S BEEN BOTHERING ME, CALLING ME, 215 00:10:29,170 --> 00:10:31,131 SHOWING UP AT WORK. 216 00:10:31,131 --> 00:10:35,760 RICK CAN BE...SCARY WHEN HE WANTS TO BE. 217 00:10:35,760 --> 00:10:38,888 PULLED YOUR RECORDS, AND YOUR STORY CHECKS OUT, 218 00:10:38,888 --> 00:10:42,641 BUT I'M CURIOUS ABOUT THIS POLICE REPORT 219 00:10:42,641 --> 00:10:45,604 THAT YOU FILLED OUT A COUPLE OF YEARS BACK 220 00:10:45,604 --> 00:10:47,397 IN THE EMERGENCY ROOM. 221 00:10:49,274 --> 00:10:51,568 WHY DID YOUR HUSBAND TRY TO KILL YOU? 222 00:10:56,448 --> 00:10:58,366 I ASKED HIM FOR A DIVORCE. 223 00:10:58,366 --> 00:11:00,160 SO HE TOOK A KNIFE TO YOU? 224 00:11:03,955 --> 00:11:05,165 UNH! 225 00:11:05,165 --> 00:11:06,291 UGH! 226 00:11:17,718 --> 00:11:19,929 THEY NEVER PRESSED CHARGES. 227 00:11:19,929 --> 00:11:21,764 I WOULDN'T TESTIFY BECAUSE HE WAS SORRY. 228 00:11:21,764 --> 00:11:25,852 HE WAS. HE WASN'T... ALWAYS LIKE THIS. 229 00:11:25,852 --> 00:11:27,312 WHEN DID YOU NOTICE A CHANGE? 230 00:11:27,312 --> 00:11:29,481 HE LOST HIS JOB AND HAD ALL THIS FREE TIME 231 00:11:29,481 --> 00:11:32,900 AND STARTED HANGING OUT WITH THESE NEW FRIENDS. 232 00:11:32,900 --> 00:11:34,277 DID YOU EVER MEET ANY OF THEM? 233 00:11:34,277 --> 00:11:36,029 NO. I DIDN'T WANT ANYTHING TO DO WITH THEM. 234 00:11:36,029 --> 00:11:38,198 HE WOULD COME HOME WITH THESE WEIRD IDEAS 235 00:11:38,198 --> 00:11:39,698 AND SAYING CRAZY THINGS. 236 00:11:39,698 --> 00:11:40,908 WHAT THINGS? 237 00:11:40,908 --> 00:11:42,410 HE STARTED TALKING A LOT ABOUT DEATH, 238 00:11:42,410 --> 00:11:44,371 HOW LIFE DIDN'T MATTER. 239 00:11:44,371 --> 00:11:47,748 HE GOT REALLY DARK. HE WAS DEPRESSED. 240 00:11:52,462 --> 00:11:53,838 WE'RE GONNA GIVE YOU PROTECTION 241 00:11:53,838 --> 00:11:55,923 TILL WE FIND YOUR HUSBAND. 242 00:11:55,923 --> 00:11:57,217 Parker: EXCUSE ME. 243 00:12:02,847 --> 00:12:04,140 SO YOU BELIEVE HER? 244 00:12:04,140 --> 00:12:06,685 YEAH, I DO. SHE'S TRAGIC AND PATHETIC, 245 00:12:06,685 --> 00:12:08,144 AND I KNOW HER WELL. 246 00:12:08,144 --> 00:12:09,229 HOW SO? 247 00:12:09,229 --> 00:12:10,397 SHE WANTS THE MAN IN HER HEAD, 248 00:12:10,397 --> 00:12:11,898 NOT THE ONE SHE MARRIED. 249 00:12:11,898 --> 00:12:14,484 SHE'S MY MOTHER, MY SISTER, MY OTHER SISTER. 250 00:12:14,484 --> 00:12:17,904 NO ONE EVER WANTS TO SEE WHAT'S REALLY THERE. 251 00:12:17,904 --> 00:12:19,489 WE NEED TO FIND THE HUSBAND. 252 00:12:19,489 --> 00:12:21,658 HE'S THE CLOSEST THING WE HAVE TO FINDING JOEY. 253 00:12:21,658 --> 00:12:22,950 WHY DON'T YOU LET ME SEE JOE AGAIN, 254 00:12:22,950 --> 00:12:24,327 SEE IF I CAN GET HIM TO TALK? 255 00:12:24,327 --> 00:12:25,828 LET ME TRY. 256 00:12:25,828 --> 00:12:27,872 I THINK IT'S TIME JOE AND I MET ANYWAY. 257 00:12:38,966 --> 00:12:41,678 WHAT DO YOU WANT, PAUL? 258 00:12:41,678 --> 00:12:43,680 YOU NEED ANY HELP? 259 00:12:43,680 --> 00:12:45,098 NO. 260 00:12:47,225 --> 00:12:49,728 LOOK. I'M SORRY 261 00:12:49,728 --> 00:12:52,647 ABOUT BEFORE AND WHATEVER I'VE DONE. 262 00:12:52,647 --> 00:12:53,981 WE'RE ALL IN THIS TOGETHER, 263 00:12:53,981 --> 00:12:56,859 AND I DON'T WANT THINGS TO BE LIKE THIS. 264 00:12:56,859 --> 00:12:58,403 I DON'T EITHER, PAUL. 265 00:12:58,403 --> 00:13:01,698 CAN WE SORT OF PRETEND THAT WE LIKE EACH OTHER 266 00:13:01,698 --> 00:13:04,284 AND, I DON'T KNOW, SEE WHERE THAT GOES? 267 00:13:08,288 --> 00:13:09,497 TRUCE? 268 00:13:13,042 --> 00:13:14,877 UNH! BITCH! 269 00:13:14,877 --> 00:13:17,922 DON'T TRY TO TURN JACOB AGAINST ME. 270 00:13:17,922 --> 00:13:19,299 IT WON'T WORK. 271 00:13:24,345 --> 00:13:25,472 BITCH! 272 00:13:27,890 --> 00:13:30,560 HI. I'M AGENT PARKER. 273 00:13:30,560 --> 00:13:32,270 WE HAVEN'T OFFICIALLY MET. 274 00:13:32,270 --> 00:13:33,521 HOW'S YOUR HAND? 275 00:13:36,274 --> 00:13:39,360 FIRST OF ALL, AWESOME JOB. 276 00:13:39,360 --> 00:13:40,945 I'M VERY IMPRESSED. 277 00:13:40,945 --> 00:13:43,782 HOW MUCH PLANNING DID ALL OF THIS TAKE? 278 00:13:43,782 --> 00:13:48,787 SERIOUSLY, YOU ARE DOING A GREAT JOB. 279 00:13:48,787 --> 00:13:52,206 THANK YOU FOR MY BOOK. 280 00:13:52,206 --> 00:13:53,832 YOU'RE WELCOME. 281 00:13:56,961 --> 00:13:59,046 WHY TORCH YOUR CRITICS? 282 00:13:59,046 --> 00:14:00,965 THAT SEEMS A LITTLE PETTY. 283 00:14:00,965 --> 00:14:05,345 OH, DEAR. HAS SOMEONE BEEN PLAYING WITH MATCHES? 284 00:14:05,345 --> 00:14:07,388 I LIKE FIRE, SIR. 285 00:14:07,388 --> 00:14:09,599 IT STARTED WHEN I WAS A KID, AND IT JUST STUCK. 286 00:14:09,599 --> 00:14:11,518 I'M NOT GOOD AT KNIVES. 287 00:14:11,518 --> 00:14:13,227 I'VE BEEN PRACTICING GETTING BETTER, 288 00:14:13,227 --> 00:14:15,980 BUT I STILL PREFER FIRE. 289 00:14:15,980 --> 00:14:19,400 DEFINITELY MAKES A STATEMENT. 290 00:14:19,400 --> 00:14:20,943 TELL ME MORE. 291 00:14:20,943 --> 00:14:23,237 POE OFTEN WROTE OF REVENGE. 292 00:14:23,237 --> 00:14:27,992 I WANT MY CHAPTER TO BE ABOUT REVENGE. 293 00:14:27,992 --> 00:14:32,205 I WANT TO TARGET THE PEOPLE WHO HURT YOU PROFESSIONALLY. 294 00:14:32,205 --> 00:14:34,708 I'VE DONE MY RESEARCH. I KNOW WHO THEY ARE. 295 00:14:36,083 --> 00:14:38,461 I'M NOT ABOVE REVENGE, AGENT. 296 00:14:38,461 --> 00:14:40,338 I THINK I'VE PROVED THAT. 297 00:14:40,338 --> 00:14:43,174 REVENGE IS PRIMAL. IT'S A UNIVERSAL THEME, 298 00:14:43,174 --> 00:14:45,301 AND EVERY GOOD STORY NEEDS ONE. 299 00:14:45,301 --> 00:14:49,055 DON'T YOU AGREE, RYAN? 300 00:14:49,055 --> 00:14:52,975 OF COURSE, HIS THEME SOMEWHAT DIFFERENT. 301 00:14:52,975 --> 00:14:56,354 SO YOUR ACOLYTES COME UP WITH WAYS TO MAKE YOU PROUD 302 00:14:56,354 --> 00:14:58,147 WITH THESE LITTLE TRIBUTES. 303 00:14:58,147 --> 00:15:00,024 IS THAT THE WAY THEY'RE HELPING YOU WRITE YOUR BOOK? 304 00:15:00,024 --> 00:15:04,779 RIGHT. EVERYONE HAS A STORY TO TELL, AGENT. 305 00:15:04,779 --> 00:15:08,949 YOUR LITTLE DEVOTEE, IS HE GONNA TORCH ALL YOUR CRITICS? 306 00:15:08,949 --> 00:15:12,579 THERE ARE REALLY ONLY 3 PEOPLE THAT I HOLD ACCOUNTABLE 307 00:15:12,579 --> 00:15:15,373 FOR MY PROFESSIONAL DOWNFALL, AGENT. 308 00:15:15,373 --> 00:15:19,293 ISN'T THAT RIGHT, RYAN? 309 00:15:19,293 --> 00:15:21,880 I WONDER WHO HE HOLDS ACCOUNTABLE... 310 00:15:21,880 --> 00:15:24,382 [WHISPERING] for his downfall? 311 00:15:24,382 --> 00:15:26,676 MUST BE VERY HARD FOR YOU 312 00:15:26,676 --> 00:15:32,973 TO BE SURROUNDED BY THE STENCH OF DEATH AGAIN. 313 00:15:32,973 --> 00:15:37,854 I KNOW THIS TAKES A TERRIBLE TOLL ON YOU, 314 00:15:37,854 --> 00:15:41,065 AND YOU MUST BE CAREFUL, 315 00:15:41,065 --> 00:15:43,234 WHAT WITH THAT... 316 00:15:43,234 --> 00:15:45,653 THAT LITTLE HEART OF YOURS. 317 00:15:56,623 --> 00:15:58,291 WHAT ARE YOU DOING? 318 00:15:58,291 --> 00:16:01,586 3 PEOPLE RESPONSIBLE FOR JOE'S DOWNFALL-- HIS WORDS. 319 00:16:01,586 --> 00:16:04,505 THAT WOULD BE ME, THE DEAD CRITIC, 320 00:16:04,505 --> 00:16:06,591 AND THIS GUY. 321 00:16:06,591 --> 00:16:08,008 HE WAS A PROFESSOR AT THE UNIVERSITY. 322 00:16:08,008 --> 00:16:09,677 I INTERVIEWED HIM. HE WAS A DEAN. 323 00:16:09,677 --> 00:16:12,221 AFTER JOE'S BOOK FAILED, THIS GUY DENIED HIM TENURE, 324 00:16:12,221 --> 00:16:13,848 SAID THAT JOE WASN'T WORTHY. 325 00:16:13,848 --> 00:16:15,475 IT WAS A BIG BLOW TO JOE'S CAREER. 326 00:16:15,475 --> 00:16:18,269 HERE IT IS. PHILLIP BARNES, DEAN OF LITERATURE. 327 00:16:18,269 --> 00:16:20,438 DO YOU THINK HE'S STILL THE DEAN? 328 00:16:20,438 --> 00:16:22,732 AS FAR AS I KNOW. THIS WAS YEARS AGO. 329 00:16:28,988 --> 00:16:30,448 Rick: DEAN BARNES. 330 00:16:32,659 --> 00:16:34,577 MAY I HELP YOU? 331 00:16:34,577 --> 00:16:37,079 DID WE HAVE AN APPOINTMENT? 332 00:16:37,079 --> 00:16:41,542 WHY DID YOU DENY JOE CARROLL TENURE? 333 00:16:41,542 --> 00:16:42,752 I BEG YOUR PARDON. 334 00:16:42,752 --> 00:16:44,002 I ASKED YOU A QUESTION. 335 00:16:44,002 --> 00:16:46,172 IS THIS A JOKE? 336 00:16:46,172 --> 00:16:47,799 I'M SORRY. YOU NEED TO LEAVE. 337 00:16:47,799 --> 00:16:49,342 OOH! UNH! 338 00:16:49,342 --> 00:16:50,885 NO. YOU NEED TO SIT. 339 00:16:52,470 --> 00:16:54,514 WHY DID YOU DENY CARROLL TENURE? 340 00:16:54,514 --> 00:16:55,807 ANSWER ME. 341 00:16:58,977 --> 00:17:00,353 UNH! 342 00:17:17,328 --> 00:17:21,541 I NEVER KILLED ANYONE WITH A KNIFE BEFORE. 343 00:17:32,677 --> 00:17:34,261 PRESS IS USING THE CULT WORD. 344 00:17:34,261 --> 00:17:36,890 IT'S OUT THERE. WE GONNA COMMENT? 345 00:17:36,890 --> 00:17:39,600 NO. LET THEM SPECULATE. WHERE'S RYAN? 346 00:17:39,600 --> 00:17:40,935 HE WENT OUTSIDE. 347 00:17:44,605 --> 00:17:47,775 THERE'S NO WAY YOU COULD HAVE STOPPED THIS. 348 00:17:47,775 --> 00:17:48,902 YEAH. 349 00:17:48,902 --> 00:17:50,361 I COULD HAVE. 350 00:17:50,361 --> 00:17:51,863 SEE, THAT'S THE POINT. 351 00:17:51,863 --> 00:17:53,239 HE'S BAITING ME! 352 00:17:53,239 --> 00:17:54,782 I SHOULD HAVE SEEN IT COMING. 353 00:17:54,782 --> 00:17:58,536 WHY? BECAUSE YOU INTERVIEWED HIM 8 YEARS AGO? 354 00:17:58,536 --> 00:18:02,289 SERIOUSLY? YOU KNOW CARROLL'S OUT TO TORTURE YOU. 355 00:18:02,289 --> 00:18:03,666 WELL, IT'S WORKING. 356 00:18:18,264 --> 00:18:19,599 PROFESSOR CARROLL. HMM? 357 00:18:19,599 --> 00:18:21,517 HI. RYAN HARDY, FBI. 358 00:18:21,517 --> 00:18:24,896 OH, YES, YES. MY WIFE SAID TO EXPECT YOU. 359 00:18:24,896 --> 00:18:26,814 IT'S A PLEASURE, AGENT HARDY. HOW CAN I HELP? 360 00:18:26,814 --> 00:18:29,358 I WAS HOPING TO PICK YOUR BRAIN ON A CASE I'M WORKING ON. 361 00:18:29,358 --> 00:18:32,695 OH, THE MURDERS. YES. OH, GOSH. AWFUL. POOR GIRLS. 362 00:18:32,695 --> 00:18:35,031 NO. I'D RELISH THE OPPORTUNITY. 363 00:18:35,031 --> 00:18:36,616 "RELISH." I DON'T MEAN RELISH. 364 00:18:36,616 --> 00:18:39,285 I MEAN, IT'S NOT EVERY DAY ONE GETS TO AID THE FBI 365 00:18:39,285 --> 00:18:40,995 IN A MURDER INVESTIGATION, IS IT? 366 00:18:40,995 --> 00:18:42,789 NOW A GOOD TIME? 367 00:18:42,789 --> 00:18:45,165 NO. I'M AFRAID NOT. I'M ALREADY LATE FOR AN APPOINTMENT, 368 00:18:45,165 --> 00:18:47,167 BUT, UH, LOOK. JUST CALL MY OFFICE. 369 00:18:47,167 --> 00:18:48,753 I'M FREE EVERY NIGHT THIS WEEK. 370 00:18:48,753 --> 00:18:51,631 I'LL DO THAT. THANK YOU, SIR. 371 00:18:51,631 --> 00:18:54,550 PLEASE CALL ME JOE. NICE TO MEET YOU. 372 00:19:05,061 --> 00:19:06,771 ALL RIGHT. GET IN CLOSER. 373 00:19:06,771 --> 00:19:08,731 SMILE! 374 00:19:08,731 --> 00:19:09,690 Joey: HOW WAS IT? 375 00:19:09,690 --> 00:19:11,901 I DON'T LIKE IT. ONE MORE. 376 00:19:11,901 --> 00:19:14,070 COME HERE. OHH! HA HA HA! 377 00:19:14,070 --> 00:19:16,614 ALL RIGHT. 1...2...3. 378 00:19:16,614 --> 00:19:18,449 CAN I CALL MOM NOW? 379 00:19:18,449 --> 00:19:22,662 NO, YOU CANNOT, AND STOP ASKING ME THAT! 380 00:19:22,662 --> 00:19:24,080 Jacob: WE'RE HAVING SO MUCH FUN. 381 00:19:24,080 --> 00:19:25,289 HA HA HA! 382 00:19:30,168 --> 00:19:32,046 NO. WE CAN'T PRETEND TO BE GAY. 383 00:19:32,046 --> 00:19:34,173 SARAH FULLER HAS MAJOR ISSUES. 384 00:19:34,173 --> 00:19:35,549 SHE'S NOT GONNA WARM UP TO A STRAIGHT GUY 385 00:19:35,549 --> 00:19:37,468 THE WAY THAT SHE WOULD TO A TOTALLY 386 00:19:37,468 --> 00:19:39,261 NONTHREATENING GAY COUPLE. 387 00:19:39,261 --> 00:19:42,348 UH, I DON'T KNOW. 388 00:19:42,348 --> 00:19:45,643 JOE THINKS IT'S A GREAT IDEA. 389 00:19:45,643 --> 00:19:47,812 BUT WE'RE STRAIGHT. 390 00:19:47,812 --> 00:19:50,773 DETAILS. COME ON. 391 00:19:50,773 --> 00:19:53,985 EXPAND YOUR MINDS. 392 00:19:53,985 --> 00:19:56,029 LET'S TRY. 393 00:19:56,029 --> 00:19:57,655 KISS. 394 00:19:57,655 --> 00:19:58,739 WHAT, NOW? 395 00:19:58,739 --> 00:20:00,240 LET'S SEE IF YOU CAN PULL IT OFF. 396 00:20:03,452 --> 00:20:05,579 NO, NO, NO. NO WAY, NO WAY. 397 00:20:05,579 --> 00:20:08,749 YOU GUYS ARE LOSERS! 398 00:20:08,749 --> 00:20:10,668 SO WHAT AM I GONNA TELL JOE? 399 00:20:17,175 --> 00:20:20,970 OK. OK. LET'S DO THIS. 400 00:20:20,970 --> 00:20:22,055 COME ON. 401 00:20:22,055 --> 00:20:23,931 GAY CHICKEN. 402 00:20:46,037 --> 00:20:49,165 Jacob: THAT'S NOT EVEN A QUESTION. 403 00:20:52,168 --> 00:20:53,794 WHAT'S WRONG WITH HIM? 404 00:20:56,923 --> 00:20:58,007 Paul: HEY! 405 00:20:58,007 --> 00:20:59,217 WHAT DO YOU THINK YOU'RE DOING? 406 00:20:59,217 --> 00:21:00,509 GET AWAY. COME ON, MAN. 407 00:21:00,509 --> 00:21:01,886 DON'T DO THIS. 408 00:21:01,886 --> 00:21:03,387 WHERE ARE YOU GOING, HUH? 409 00:21:03,387 --> 00:21:05,347 HEY. YOUR FACE IS ALL OVER THE NEWS RIGHT NOW. 410 00:21:05,347 --> 00:21:07,265 DON'T BE STUPID. 411 00:21:07,265 --> 00:21:09,476 YOU'RE A LIAR. 412 00:21:18,111 --> 00:21:19,820 Woman on TV: AUTHORITIES HAVE YET TO CONFIRM OR DENY 413 00:21:19,820 --> 00:21:22,907 ANY CULT ACTIVITY SURROUNDING JOE CARROLL. 414 00:21:36,587 --> 00:21:39,632 SO DOES THE COFFEE WORK AS AN EQUALIZER? 415 00:21:39,632 --> 00:21:43,510 THAT'S THE IDEA. RICK KESTER'S RECORDS JUST CAME IN. 416 00:21:43,510 --> 00:21:45,012 TAKE A LOOK AT THIS. 417 00:21:47,306 --> 00:21:48,515 WAIT. 418 00:21:50,601 --> 00:21:52,228 A CRITIC FOR THE "RICHMOND HERALD" 419 00:21:52,228 --> 00:21:53,896 STAN FELLOWS IS DEAD. 420 00:21:53,896 --> 00:21:55,982 THE ASSAILANT, A STREET PERFORMER, IS CURRENTLY AT LARGE... 421 00:21:57,441 --> 00:21:58,484 SEVERAL EYEWITNESS CAUGHT THE INCIDENT ON CAMERA. 422 00:21:58,484 --> 00:22:00,402 COME IN? 423 00:22:00,402 --> 00:22:02,822 EXCUSE ME. 424 00:22:02,822 --> 00:22:05,241 CLAIRE? 425 00:22:05,241 --> 00:22:07,451 I'M WATCHING THE NEWS. WHAT'S HAPPENING? 426 00:22:07,451 --> 00:22:08,577 LISTEN. WE HAVE A SUSPECT. 427 00:22:08,577 --> 00:22:09,912 I NEED TO ASK YOU SOMETHING. 428 00:22:09,912 --> 00:22:11,705 THE MAN WHO'S STARTING THE FIRES? 429 00:22:11,705 --> 00:22:14,500 RIGHT. I'VE JUST GOT HIS CREDIT CARD STATEMENTS, 430 00:22:14,500 --> 00:22:16,961 AND THERE'S A COUPLE OF ITEMS 431 00:22:16,961 --> 00:22:19,463 THAT I JUST NEED TO CONFIRM WITH YOU-- 432 00:22:19,463 --> 00:22:25,343 ALL PRO SPONGE BALL, RIDLEY RACE CAR SET, DRAGON NINJA WARRIOR-- 433 00:22:25,343 --> 00:22:28,514 ACTION FIGURE. YEAH. 434 00:22:28,514 --> 00:22:30,599 THOSE ARE ALL JOEY'S FAVORITE TOYS. WHAT'S GOING ON? 435 00:22:30,599 --> 00:22:33,060 THIS IS GOOD NEWS, CLAIRE. 436 00:22:33,060 --> 00:22:34,478 THEY BOUGHT HIM TOYS. 437 00:22:34,478 --> 00:22:36,396 WHEREVER HE IS, THEY'RE NOT HURTING HIM. 438 00:22:36,396 --> 00:22:39,483 I WANT HIM HOME, RYAN. HE'S NOT GONNA BE SAFE UNTIL HE'S HOME. 439 00:22:39,483 --> 00:22:41,986 I KNOW. 440 00:22:41,986 --> 00:22:43,237 I GOT TO GO. 441 00:22:43,237 --> 00:22:45,739 I'LL CALL YOU LATER, OK? 442 00:22:45,739 --> 00:22:47,533 BYE-BYE. 443 00:22:47,533 --> 00:22:48,909 BYE. 444 00:22:50,368 --> 00:22:53,039 I'VE BEEN HERE ALL DAY. CAN I GO NOW? 445 00:22:53,039 --> 00:22:55,833 SOON. 446 00:22:55,833 --> 00:23:00,254 ANY IDEA WHY YOUR HUSBAND WOULD PURCHASE TOYS? 447 00:23:00,254 --> 00:23:04,217 I DON'T KNOW. IT'S HIS CREDIT CARD. 448 00:23:04,217 --> 00:23:05,592 YOU'LL HAVE TO ASK HIM. 449 00:23:09,680 --> 00:23:12,016 IT'S RICK. 450 00:23:12,016 --> 00:23:14,392 ANSWER IT. PUT IT ON SPEAKER PHONE. 451 00:23:25,696 --> 00:23:26,822 RICK. 452 00:23:26,822 --> 00:23:28,949 Rick: WHERE ARE YOU? 453 00:23:28,949 --> 00:23:31,577 THE FBI CAME TO THE HOUSE, RICK. 454 00:23:31,577 --> 00:23:34,580 WHAT HAVE YOU DONE? 455 00:23:34,580 --> 00:23:36,414 ARE YOU WITH THEM NOW? 456 00:23:36,414 --> 00:23:38,709 Y-YES. YES. 457 00:23:38,709 --> 00:23:40,211 THEY'RE LOOKING FOR YOU, RICK. 458 00:23:40,211 --> 00:23:41,379 YOU'RE IN TROUBLE. 459 00:23:41,379 --> 00:23:44,422 HOW COULD YOU HURT THOSE PEOPLE? 460 00:23:44,422 --> 00:23:46,466 WHERE ARE YOU, RICK? 461 00:23:49,136 --> 00:23:53,307 IS RYAN HARDY THERE? 462 00:23:53,307 --> 00:23:55,309 TELL RYAN IT WAS ALL FOR HIM. 463 00:24:05,986 --> 00:24:07,821 HE'S USING THE SAME SETUP AT THEIR INTERNET. 464 00:24:07,821 --> 00:24:10,657 IT'S BEING ROUTED INTERNATIONALLY. WE CAN'T TRACE IT. 465 00:24:10,657 --> 00:24:12,034 WHAT DO YOU THINK? 466 00:24:12,034 --> 00:24:13,869 WE TRY AND MAKE CONTACT? 467 00:24:13,869 --> 00:24:15,662 I DON'T KNOW. 468 00:24:15,662 --> 00:24:17,248 TAKE HER HOME, STAY WITH HER. 469 00:24:17,248 --> 00:24:18,665 I'LL SEND SOMEONE TO RELIEVE YOU IN THE MORNING. 470 00:24:18,665 --> 00:24:20,000 I'LL GO WITH HIM. 471 00:24:20,000 --> 00:24:21,710 NO. WHAT YOU'RE GONNA DO, VODKA BREATH, 472 00:24:21,710 --> 00:24:23,796 IS GO BACK TO THAT DUMPY, LITTLE MOTEL THE FBI PUT US IN 473 00:24:23,796 --> 00:24:24,797 AND GET SOME REST. 474 00:24:24,797 --> 00:24:26,424 I FEEL TOTALLY FINE. 475 00:24:26,424 --> 00:24:28,134 WHEN WAS THE LAST TIME YOU HAD MORE THAN AN HOUR OF SLEEP? 476 00:24:28,134 --> 00:24:29,927 YOU'RE GONNA GO, AND YOU'RE GONNA GET SOME SLEEP, RYAN, 477 00:24:29,927 --> 00:24:31,720 AND TOMORROW, WE'RE GONNA FIND JOEY. 478 00:24:31,720 --> 00:24:33,847 DO YOU UNDERSTAND? 479 00:24:33,847 --> 00:24:36,642 LOOK. I GET IT. YOU OVERIDENTIFY WITH THE VICTIMS, 480 00:24:36,642 --> 00:24:40,354 THE GUILT MAKES IT PERSONAL, YOU UNRAVEL. 481 00:24:40,354 --> 00:24:41,897 I GET IT. 482 00:24:54,785 --> 00:24:56,162 YOU OK? 483 00:24:59,290 --> 00:25:01,917 NOT GOING BACK TO THE HOTEL TO SLEEP, ARE YOU? 484 00:25:01,917 --> 00:25:06,255 I THINK RICK KESTER KNOWS WHERE JOEY IS. 485 00:25:06,255 --> 00:25:08,341 WELL, THEY GAVE ME A RENTAL CAR. 486 00:25:13,804 --> 00:25:15,973 JOEY'S IN HIS ROOM. 487 00:25:15,973 --> 00:25:19,393 HE THINKS WE GOT INTO A LITTLE FIGHT. 488 00:25:19,393 --> 00:25:21,312 PAUL JUST NEEDED TO BLOW OFF SOME STEAM. 489 00:25:21,312 --> 00:25:24,690 OUR FACES ARE ALL OVER THE NEWS. 490 00:25:24,690 --> 00:25:25,899 WHAT IF HE GOES INTO TOWN? 491 00:25:25,899 --> 00:25:28,610 I KNOW PAUL, OK? 492 00:25:28,610 --> 00:25:31,113 HE'S NOT GONNA GO INTO TOWN. 493 00:25:32,698 --> 00:25:34,033 DID YOU SEND THAT E-MAIL? 494 00:25:34,033 --> 00:25:36,910 NOT YET. I WAS WAITING FOR RICK TO CALL. 495 00:25:36,910 --> 00:25:40,164 WHY IS NO ONE DOING WHAT THEY'RE SUPPOSED TO DO? 496 00:25:40,164 --> 00:25:41,790 DAMN IT. 497 00:26:17,701 --> 00:26:21,205 EXCUSE ME. MEGAN? 498 00:26:21,205 --> 00:26:22,456 HEH HEH. 499 00:26:22,456 --> 00:26:23,874 WHERE WOULD I FIND THE WINE? 500 00:26:23,874 --> 00:26:26,126 OH. WE DON'T SELL WINE. 501 00:26:26,126 --> 00:26:28,337 ALL WE HAVE IS BEER. THAT'S THE LAW. 502 00:26:28,337 --> 00:26:30,297 WELL, I REALLY WANTED WINE. 503 00:26:30,297 --> 00:26:32,841 HMM. HEH HEH. 504 00:26:32,841 --> 00:26:34,676 UH... 505 00:26:37,971 --> 00:26:42,768 SO, UH, RED OR WHITE? 506 00:26:42,768 --> 00:26:45,438 G-GO WITH THE RED. 507 00:26:45,438 --> 00:26:48,899 AND, UH, WHAT TIME DO YOU GET OFF? 508 00:27:02,704 --> 00:27:07,293 DO YOU REALLY THINK HE'S GONNA COME HERE? 509 00:27:07,293 --> 00:27:11,629 WE JUST WANT TO KEEP YOU SAFE, THAT'S ALL. 510 00:27:11,629 --> 00:27:13,006 DO WHAT YOU NORMALLY DO. 511 00:27:13,006 --> 00:27:14,550 PRETEND I'M NOT EVEN HERE. 512 00:27:14,550 --> 00:27:18,471 UM, HELP YOURSELF TO THE FRIDGE. 513 00:27:23,559 --> 00:27:24,726 YO. 514 00:27:24,726 --> 00:27:26,312 OK. HARDY AND I ARE OUTSIDE. 515 00:27:26,312 --> 00:27:27,438 Riley: WHAT? 516 00:27:27,438 --> 00:27:30,441 DOES PARKER KNOW? 517 00:27:30,441 --> 00:27:31,942 YEAH. 518 00:27:31,942 --> 00:27:33,068 MM-HMM. 519 00:27:35,946 --> 00:27:40,159 DO YOU REALLY THINK KESTER WOULD BE STUPID ENOUGH TO COME HERE? 520 00:27:40,159 --> 00:27:42,328 Weston: HE'S ALREADY KILLED TWO PEOPLE TODAY. 521 00:27:42,328 --> 00:27:45,164 HE'S ESCALATING, HE'S GETTING BOLDER. 522 00:27:45,164 --> 00:27:46,957 WE'LL BE OUTSIDE IF YOU NEED US. 523 00:27:46,957 --> 00:27:48,501 YEAH. 524 00:27:52,087 --> 00:27:55,299 DOES PARKER KNOW WE'RE HERE? 525 00:27:55,299 --> 00:27:59,094 SHE TOLD ME TO WATCH YOU. 526 00:27:59,094 --> 00:28:01,096 LOOK. I KNOW YOU MARCH TO YOUR OWN DRUM AND EVERYTHING, 527 00:28:01,096 --> 00:28:02,848 AND, HEY, THAT'S COOL. 528 00:28:02,848 --> 00:28:04,891 MAYBE SOMEDAY I CAN, BUT I'M THE SECOND YOUNGEST AGENT 529 00:28:04,891 --> 00:28:07,269 IN THE BAU, AND PEOPLE STILL LOOK AT ME FUNNY. 530 00:28:09,855 --> 00:28:11,815 THIS IS MY CAREER, SIR. 531 00:28:16,195 --> 00:28:18,197 YOU STILL LIVE IN BROOKLYN? 532 00:28:18,197 --> 00:28:19,323 YEAH. 533 00:28:19,323 --> 00:28:21,825 YOU EVER MAKE IT UP TO ALBANY? 534 00:28:21,825 --> 00:28:24,870 I READ YOUR BOOK. I KNOW YOU GREW UP THERE. 535 00:28:24,870 --> 00:28:29,416 NOT FOR YEARS. THERE'S NO REASON. 536 00:28:29,416 --> 00:28:33,753 RIGHT. FAMILY. 537 00:28:33,753 --> 00:28:37,383 SORRY. UM, I'M A MILITARY BRAT. 538 00:28:37,383 --> 00:28:38,758 WAS BORN IN SAN DIEGO. 539 00:28:38,758 --> 00:28:39,926 I'VE LIVED EVERYWHERE-- 540 00:28:39,926 --> 00:28:41,178 I'M GONNA TAKE A LOOK AROUND, 541 00:28:41,178 --> 00:28:42,680 STRETCH MY LEGS. 542 00:28:56,610 --> 00:28:57,903 RYAN, GOOD TO SEE YOU. 543 00:28:57,903 --> 00:28:59,196 COME ON IN. 544 00:28:59,196 --> 00:29:00,447 I'M AFRAID IT'S ONLY ME TONIGHT. 545 00:29:00,447 --> 00:29:01,740 CLAIRE'S OUT WITH THE LITTLE ONE. 546 00:29:01,740 --> 00:29:02,991 CAN I GET YOU A DRINK? 547 00:29:02,991 --> 00:29:05,452 NO. I'M FINE. THANKS. 548 00:29:05,452 --> 00:29:07,787 Carroll: MY GOD. 549 00:29:07,787 --> 00:29:11,791 THIS IS A MOMENT WHEN IT ALL BECOMES VERY REAL. 550 00:29:11,791 --> 00:29:13,669 YOUR WIFE MENTIONED EDGAR ALLEN POE 551 00:29:13,669 --> 00:29:16,088 AS A REFERENCE FOR THE EYES. 552 00:29:16,088 --> 00:29:18,465 YES. YES. WHAT MAKES YOU THINK THAT YOUR KILLER HAS 553 00:29:18,465 --> 00:29:19,966 A GREATER LITERARY PURPOSE? 554 00:29:19,966 --> 00:29:22,636 WELL, THERE'S A SOPHISTICATION TO THE MURDERS, 555 00:29:22,636 --> 00:29:24,971 THE WAY THE BODIES ARE HANDLED AND DISPLAYED. 556 00:29:24,971 --> 00:29:28,016 THERE'S A... ROMANCE TO IT. 557 00:29:28,016 --> 00:29:32,104 POE'S EYE ALLEGORIES WOULD CERTAINLY FIT, 558 00:29:32,104 --> 00:29:37,735 AND YOU'LL FIND HIS SYMBOLISM FULL OF HAUNTING ROMANCE. 559 00:29:37,735 --> 00:29:39,152 HERE. 560 00:29:39,152 --> 00:29:42,155 WOW. GREAT. THANKS A LOT. 561 00:29:42,155 --> 00:29:43,323 I'LL GET THIS RIGHT BACK TO YOU. 562 00:29:43,323 --> 00:29:44,866 NO, NO, NO. DON'T YOU DARE. NO. 563 00:29:44,866 --> 00:29:47,119 THIS HAS--THIS HAS BEEN A TREAT FOR ME. 564 00:29:48,954 --> 00:29:52,207 NOW PLEASE MAY I OFFER YOU A DRINK? 565 00:29:56,336 --> 00:29:57,755 ALL RIGHT. SURE. YEAH. 566 00:29:57,755 --> 00:29:58,838 WHATEVER YOU'RE DRINKING. 567 00:29:58,838 --> 00:29:59,965 GREAT. 568 00:30:12,436 --> 00:30:14,438 HEY. I NEED A BREATHER. 569 00:30:14,438 --> 00:30:18,275 AND MORE WINE. HA HA HA! 570 00:30:18,275 --> 00:30:19,485 SURE. 571 00:30:24,531 --> 00:30:26,158 WE'RE NOT HAVING SEX, OK? 572 00:30:26,158 --> 00:30:28,619 LET'S JUST TAKE THAT OFF THE TABLE. 573 00:30:28,619 --> 00:30:29,911 OK. 574 00:30:37,377 --> 00:30:38,796 UNH! 575 00:30:38,796 --> 00:30:40,088 WAIT. NO. THAT HURT. 576 00:30:40,088 --> 00:30:41,632 WERE YOU JUST CHOKING ME? 577 00:30:41,632 --> 00:30:44,802 NO. NO. OF COURSE NOT. 578 00:30:44,802 --> 00:30:47,429 WE SHOULD GET GOING. IT'S GETTING LATE. 579 00:30:47,429 --> 00:30:48,806 BUT-- 580 00:30:48,806 --> 00:30:50,182 I NEED TO GET HOME. 581 00:30:50,182 --> 00:30:54,102 OK? OK. 582 00:30:54,102 --> 00:30:55,479 OK. 583 00:30:58,607 --> 00:31:00,317 WAIT. LET ME GET THE DOOR FOR YOU. 584 00:31:03,153 --> 00:31:04,530 AAH! 585 00:31:15,833 --> 00:31:17,710 DON'T BE SO HAPPY TO SEE ME. 586 00:31:17,710 --> 00:31:19,336 WILL YOU EXCUSE US, PLEASE? 587 00:31:24,924 --> 00:31:27,093 I'M NOT TALKING TO YOU. 588 00:31:27,093 --> 00:31:28,595 WELL, YOU'RE GONNA HAVE TO. 589 00:31:28,595 --> 00:31:31,390 I NEED SOME INFORMATION FROM YOU, JORDY. 590 00:31:31,390 --> 00:31:34,059 ♪ BELIEVE IT OR NOT, I'M WALKING ON AIR ♪ 591 00:31:34,059 --> 00:31:35,018 SO I WAS TALKING TO JOE. 592 00:31:35,018 --> 00:31:37,521 ♪ I NEVER-- ♪ 593 00:31:37,521 --> 00:31:39,523 AND HE WANTS TO SEE YOU. 594 00:31:41,775 --> 00:31:43,318 I WANT TO SEE HIM. 595 00:31:43,318 --> 00:31:44,611 I CAN MAKE THAT HAPPEN, 596 00:31:44,611 --> 00:31:47,072 BUT I CAN'T IF YOU WON'T TALK TO ME. 597 00:31:52,578 --> 00:31:54,788 YOU OK IN HERE? 598 00:31:54,788 --> 00:31:56,498 YEAH, I GUESS. 599 00:31:58,876 --> 00:32:01,670 ARE YOU MARRIED, AGENT RILEY? 600 00:32:01,670 --> 00:32:03,004 DIVORCED. 601 00:32:05,131 --> 00:32:07,718 WAS SHE A GOOD WOMAN? 602 00:32:07,718 --> 00:32:09,428 SHE WASN'T THE PROBLEM. 603 00:32:13,557 --> 00:32:15,016 WHAT WAS THAT? 604 00:32:20,522 --> 00:32:22,940 WAS THAT INSIDE OR OUTSIDE? 605 00:32:59,018 --> 00:33:00,019 YEAH. 606 00:33:00,019 --> 00:33:01,104 YOU OK? 607 00:33:01,104 --> 00:33:03,064 I'M NOT SURE. 608 00:33:03,064 --> 00:33:05,150 THERE'S SOMEONE IN THE BACKYARD. 609 00:33:05,150 --> 00:33:06,234 I'M COMING IN. 610 00:33:06,234 --> 00:33:08,236 HOW DO I KNOW YOU'RE NOT LYING? 611 00:33:08,236 --> 00:33:10,697 WHAT IF I TELL YOU STUFF AND YOU DON'T LET ME SEE JOE? 612 00:33:10,697 --> 00:33:13,241 CHARACTER, JORDY. I SAY WHAT I MEAN, 613 00:33:13,241 --> 00:33:15,118 AND I MEAN WHAT I SAY. 614 00:33:15,118 --> 00:33:16,369 WHAT IF I TELL YOU STUFF AND YOU DON'T LIKE THE STUFF I TELL YOU? 615 00:33:16,369 --> 00:33:17,579 DO I STILL GET TO SEE JOE? 616 00:33:17,579 --> 00:33:19,623 JUST TALK TO ME, JORDY. 617 00:33:19,623 --> 00:33:22,501 I'LL LET YOU SEE JOE. 618 00:33:22,501 --> 00:33:23,710 I DON'T KNOW WHERE THE KID IS. 619 00:33:23,710 --> 00:33:25,044 OH, COME ON, JORDY. 620 00:33:25,044 --> 00:33:26,755 I DON'T. 621 00:33:26,755 --> 00:33:29,508 WE DIVIDE THE SECRETS SO NO ONE PERSON KNOWS EVERYTHING 622 00:33:29,508 --> 00:33:32,594 IN CASE ONE OF US GETS CAUGHT. 623 00:33:32,594 --> 00:33:33,595 SO WHO HAS JOEY? 624 00:33:33,595 --> 00:33:35,054 EMMA AND JACOB AND PAUL, 625 00:33:35,054 --> 00:33:36,682 BUT I DON'T KNOW WHERE THEY ARE, 626 00:33:36,682 --> 00:33:37,766 AND THAT'S THE TRUTH. 627 00:33:37,766 --> 00:33:39,184 CAN I SEE JOE NOW? 628 00:33:39,184 --> 00:33:40,477 DOES RICK KNOW WHERE JOEY IS? 629 00:33:40,477 --> 00:33:42,228 I DON'T KNOW, BUT HIS WIFE DOES. 630 00:33:42,228 --> 00:33:43,396 WHAT? 631 00:33:43,396 --> 00:33:46,107 MAGGIE. SHE AND EMMA PLANNED THAT PART. 632 00:33:51,321 --> 00:33:53,365 SOMETHING'S UP. 633 00:33:53,365 --> 00:33:54,783 HELLO. 634 00:33:54,783 --> 00:33:55,993 Jordy: YOU LIED! 635 00:33:55,993 --> 00:33:58,328 IT'S PARKER. JORDY JUST TOLD ME 636 00:33:58,328 --> 00:34:00,372 MAGGIE KESTER IS ONE OF THEM. SHE'S LYING. 637 00:34:00,372 --> 00:34:02,332 MAGGIE'S ONE OF THEM. 638 00:34:06,795 --> 00:34:09,464 MAGGIE, YOU'RE GETTING A MESSAGE. 639 00:34:09,464 --> 00:34:10,924 WHAT DOES IT SAY? 640 00:34:10,924 --> 00:34:14,761 IT SAYS, "NOW." 641 00:34:14,761 --> 00:34:16,013 WHAT THE? 642 00:34:30,610 --> 00:34:31,695 UNH! 643 00:34:31,695 --> 00:34:34,948 UGH! 644 00:34:38,994 --> 00:34:40,119 OH, MY GOD. BABY, ARE YOU OK? 645 00:34:40,119 --> 00:34:41,204 YOU WENT TOO DEEP. 646 00:34:41,204 --> 00:34:42,956 OH, MY GOD. I'M SO SORRY. 647 00:34:42,956 --> 00:34:45,083 Paul: YOU LOSE. YOU SUCK AT GAMES. 648 00:34:45,083 --> 00:34:46,835 HE SUCKS AT KNIVES. 649 00:34:46,835 --> 00:34:48,921 ALL RIGHT. WHO'S NEXT? TRUTH OR DARE? 650 00:34:48,921 --> 00:34:50,505 GUYS, SHE NEEDS A HOSPITAL. 651 00:34:50,505 --> 00:34:52,716 WHAT? OH, MY GOD. BABY, I'M SO SORRY. 652 00:34:52,716 --> 00:34:55,052 BABY, I'M SO SORRY. 653 00:34:55,052 --> 00:34:56,302 THERE'S NO TIME. WE HAVE TO GO. 654 00:34:56,302 --> 00:34:57,345 OK. 655 00:35:06,063 --> 00:35:07,981 GET AN AMBULANCE! 656 00:35:09,942 --> 00:35:11,735 HERE. HOLD PRESSURE. ON THIS. 657 00:35:11,735 --> 00:35:15,030 OK. OK. OK. HOLD ON. I GOT IT. OK. 658 00:35:15,030 --> 00:35:16,281 HEY, TROY. LOOK AT ME. 659 00:35:16,281 --> 00:35:17,741 YOU'RE GONNA BE OK. 660 00:35:17,741 --> 00:35:19,826 STOP! 661 00:35:19,826 --> 00:35:21,160 STOP! 662 00:35:21,160 --> 00:35:25,331 NO. PLEASE, PLEASE. HE'S GONNA KILL ME. 663 00:35:25,331 --> 00:35:27,000 I DON'T THINK SO, MAGGIE. 664 00:35:33,172 --> 00:35:36,927 NOOOO! AH, AH AH! 665 00:36:19,260 --> 00:36:21,220 WHAT IS THAT? 666 00:36:23,932 --> 00:36:25,517 WHAT THE HELL? 667 00:36:26,810 --> 00:36:29,729 HEY, GUYS. THIS IS MEGAN. 668 00:36:29,729 --> 00:36:32,315 MEGAN, THIS IS EMMA AND JACOB. 669 00:36:32,315 --> 00:36:33,441 WHO IS SHE? 670 00:36:33,441 --> 00:36:35,318 SHE'S A FRIEND, AND SHE'S GONNA BE 671 00:36:35,318 --> 00:36:38,321 STAYING WITH US FOR A WHILE. 672 00:36:38,321 --> 00:36:40,699 YOU HAVE LOST YOUR MIND. 673 00:36:40,699 --> 00:36:43,493 YEAH. I'M DONE LISTENING TO HER. 674 00:36:43,493 --> 00:36:45,829 HEY. I'LL TAKE CARE OF THIS. 675 00:36:45,829 --> 00:36:47,706 GO CHECK ON JOEY. 676 00:36:50,083 --> 00:36:51,334 GO. 677 00:36:58,591 --> 00:36:59,759 WHAT ARE YOU DOING, PAUL? 678 00:36:59,759 --> 00:37:02,303 I'M TIRED OF BEING THE THIRD WHEEL, 679 00:37:02,303 --> 00:37:05,182 AND NOW I'M NOT. 680 00:37:05,182 --> 00:37:06,558 I KNOW YOU'RE MAD AT ME RIGHT NOW, 681 00:37:06,558 --> 00:37:09,519 BUT YOU CAN'T RUIN THINGS FOR EVERYONE. 682 00:37:09,519 --> 00:37:14,024 DOES EMMA KNOW WHAT A LIAR YOU ARE? 683 00:37:14,024 --> 00:37:16,818 WE PROMISED WE WOULDN'T TELL ANYONE... 684 00:37:18,945 --> 00:37:20,363 ESPECIALLY EMMA. 685 00:37:22,490 --> 00:37:25,451 I DRANK TOO MUCH. SARAH'S GONNA THINK I'M A DRUNK. 686 00:37:25,451 --> 00:37:28,080 ARE YOU KIDDING? SHE LOVES YOU. 687 00:37:28,080 --> 00:37:31,708 YOU HAD A FEW TOO MANY, TOO. YOU KNOW THAT? 688 00:37:31,708 --> 00:37:33,418 SO TOUCHY-FEELY WHEN YOU DRINK. 689 00:37:33,418 --> 00:37:35,336 HEY. IT'S FOR SARAH, ALL RIGHT? 690 00:37:35,336 --> 00:37:37,130 I MEAN, WE GO TO LOOK LIKE A REAL COUPLE. 691 00:37:37,130 --> 00:37:38,339 SO TOUCHY... 692 00:37:38,339 --> 00:37:39,758 HA HA HA! STOP THAT. 693 00:37:39,758 --> 00:37:41,885 OHH. HA HA HA! 694 00:37:45,055 --> 00:37:48,349 Man: ♪ UNDER A BLUE MOON I SAW YOU ♪ 695 00:37:48,349 --> 00:37:53,855 ♪ SO SOON YOU'LL TAKE ME ♪ 696 00:37:53,855 --> 00:37:55,314 ♪ UP IN YOUR ARMS ♪ 697 00:37:55,314 --> 00:37:58,193 ♪ TOO LATE TO BEG YOU OR CANCEL IT... ♪ 698 00:37:58,193 --> 00:37:59,236 OK. 699 00:37:59,236 --> 00:38:00,779 ♪ THOUGH I KNOW IT MUST BE ♪ 700 00:38:00,779 --> 00:38:03,489 ♪ THE KILLING TIME ♪ 701 00:38:03,489 --> 00:38:05,242 LOOK. 702 00:38:07,452 --> 00:38:09,454 WE CAN'T KEEP HER HERE. 703 00:38:09,454 --> 00:38:13,583 LOOK. I'LL HELP YOU TAKE HER INTO THE BASEMENT, OK? 704 00:38:17,295 --> 00:38:18,296 COME ON. 705 00:38:37,857 --> 00:38:41,694 THAT WOMAN FOOLED ME TODAY, AND I AM... 706 00:38:41,694 --> 00:38:44,572 MAD. 707 00:38:44,572 --> 00:38:46,241 RILEY DIDN'T HAVE TO DIE. 708 00:38:54,082 --> 00:38:55,374 THANKS A LOT. 709 00:38:55,374 --> 00:38:57,210 I'LL READ IT RIGHT WAY, I PROMISE. 710 00:38:57,210 --> 00:38:58,586 WELL, FEEL FREE TO HATE IT. 711 00:38:58,586 --> 00:39:00,505 EVERYONE ELSE HAS. HEH. 712 00:39:00,505 --> 00:39:01,673 IT'S NOT DOING WELL? 713 00:39:01,673 --> 00:39:04,342 I THINK THAT'S THE THIRD COPY. 714 00:39:04,342 --> 00:39:05,635 MAYBE I SHOULD GIVE YOU 20 BUCKS OR SOMETHING. 715 00:39:05,635 --> 00:39:07,053 HA HA HA! 716 00:39:07,053 --> 00:39:10,056 LISTEN. I REALLY APPRECIATE TONIGHT, JOE. 717 00:39:10,056 --> 00:39:13,059 WELL, IF NOTHING ELSE IT'S GOOD SCOTCH, HUH? 718 00:39:13,059 --> 00:39:15,812 IT'S GREAT SCOTCH. 719 00:39:15,812 --> 00:39:17,939 YOU KNOW, I'VE BEEN WORKING ON THIS CASE NONSTOP 720 00:39:17,939 --> 00:39:19,565 FOR MONTHS NOW. 721 00:39:19,565 --> 00:39:22,235 SOMETIMES I JUST FORGET TO STOP 722 00:39:22,235 --> 00:39:25,322 AND TURN IT OFF FOR A FEW HOURS. 723 00:39:25,322 --> 00:39:28,741 I COULDN'T TURN IT OFF IF I WERE YOU. 724 00:39:28,741 --> 00:39:31,911 MUST BE HARD WITH FRIENDS AND FAMILY 725 00:39:31,911 --> 00:39:36,916 WHEN YOU'RE RUNNING AROUND, TRYING TO CHASE DOWN THE BAD GUY. 726 00:39:36,916 --> 00:39:40,962 I IMAGINE IT, UH, IT GETS QUITE LONELY. 727 00:39:45,008 --> 00:39:48,011 BUT THE PAYOFF, HUH? 728 00:39:48,011 --> 00:39:52,891 HELPING PEOPLE, SAVING LIVES. 729 00:39:52,891 --> 00:39:57,103 YOU KNOW, I THINK WHAT YOU DO 730 00:39:57,103 --> 00:39:59,689 IS QUITE REMARKABLE. 731 00:40:04,485 --> 00:40:06,363 ONE MORE, HUH? 732 00:40:08,156 --> 00:40:09,448 SURE. WHY NOT? 733 00:40:13,661 --> 00:40:15,205 JOE FOOLED ME. 734 00:40:17,540 --> 00:40:18,917 I SHOULD HAVE KNOWN FROM THE FIRST TIME I MET HIM 735 00:40:18,917 --> 00:40:20,210 HE WAS THE MAN I WAS LOOKING FOR, 736 00:40:20,210 --> 00:40:22,879 BUT HE HAD THIS POWER. 737 00:40:22,879 --> 00:40:25,965 I'M SORRY, JOE. 738 00:40:25,965 --> 00:40:28,760 I'M SORRY, JOE! 739 00:40:28,760 --> 00:40:29,969 I'M SORRY. 740 00:40:29,969 --> 00:40:34,307 CHARMED AND SEDUCED. 741 00:40:34,307 --> 00:40:36,059 I KNOW WHAT HIS FOLLOWERS FEEL. 742 00:40:37,810 --> 00:40:40,521 Miranda Sex Garden: ♪ AS I RUN BLINDLY ♪ 743 00:40:45,235 --> 00:40:49,530 ♪ FROM THE FEAR I KNOW IS NOT REAL ♪ 744 00:40:49,530 --> 00:40:53,159 THEY'RE BETTER FOR BEING NEAR HIM. 745 00:40:53,159 --> 00:40:56,495 HE KNOWS HOW TO GIVE THEM A LITTLE PIECE OF... 746 00:40:56,495 --> 00:40:57,747 WHAT THEY'RE MISSING. 747 00:41:01,500 --> 00:41:06,047 I'M SORRY, JOE. 748 00:41:09,426 --> 00:41:10,927 I FELL FOR IT. 749 00:41:19,518 --> 00:41:21,562 AND 5 MORE GIRLS WERE MURDERED. 750 00:41:22,814 --> 00:41:30,322 ♪ LET ME HATE FOR YOU ♪ 751 00:41:30,322 --> 00:41:37,912 ♪ AND HATE FOR ME ♪ 752 00:41:37,912 --> 00:41:41,124 I GOT YOUR MESSAGE. WHAT IS IT? 753 00:41:41,124 --> 00:41:42,792 I GOT AN E-MAIL. 754 00:41:49,215 --> 00:41:51,050 SEE? IF YOU CATCH THE SUN JUST RIGHT, 755 00:41:51,050 --> 00:41:52,718 THE BUG CATCHES FIRE. 756 00:41:52,718 --> 00:41:55,138 WHY DO YOU WANT TO KILL A BUG? 757 00:41:55,138 --> 00:41:57,682 BECAUSE WE CAN. 758 00:41:57,682 --> 00:41:59,351 SEE, IF YOU KILL THE BUG, 759 00:41:59,351 --> 00:42:03,229 THEN IT DIES, AND YOUR LIFE MEANS A LITTLE MORE. 760 00:42:03,229 --> 00:42:04,563 I--I DON'T UNDERSTAND. 761 00:42:04,563 --> 00:42:05,982 LOOK AT THIS LITTLE GUY. 762 00:42:05,982 --> 00:42:07,733 WHOA! WHERE DID YOU GET A CUTE, LITTLE MOUSE? 763 00:42:07,733 --> 00:42:09,194 CAUGHT HIM IN A TRAP. 764 00:42:09,194 --> 00:42:10,403 HERE. SCREW THE LID ON. 765 00:42:10,403 --> 00:42:12,071 IT'S GOT TO BE REAL TIGHT. 766 00:42:12,071 --> 00:42:13,531 THEN IT'S GONNA SUFFOCATE. 767 00:42:13,531 --> 00:42:14,573 IT--IT WILL DIE. 768 00:42:14,573 --> 00:42:16,826 EXACTLY. HERE. SCREW THE LID ON. 769 00:42:16,826 --> 00:42:18,244 I DON'T WANT TO. 770 00:42:18,244 --> 00:42:21,789 Emma: IT'S OK, SWEETIE. GO AHEAD. 771 00:42:21,789 --> 00:42:24,000 THEN WE WATCH IT GO STRAIGHT TO HEAVEN. 772 00:42:24,000 --> 00:42:25,293 THERE YOU GO. 773 00:42:25,293 --> 00:42:27,295 YEAH. GOOD JOB. 774 00:42:27,295 --> 00:42:30,131 I NEVER KILLED ANYTHING BEFORE. 775 00:42:30,131 --> 00:42:32,717 WE'RE JUST GETTING STARTED. 776 00:42:32,717 --> 00:42:34,551 THEY'RE TEACHING HIM. 777 00:42:34,551 --> 00:42:38,223 CLAIRE, WE ARE GOING TO FIND HIM. 778 00:42:38,223 --> 00:42:40,099 THEN DO IT! 779 00:42:40,099 --> 00:42:41,434 CLAIRE! CLAIRE, WAIT. 780 00:42:41,434 --> 00:42:43,019 Emma: JOEY, CAN YOU WAVE TO THE CAMERA 781 00:42:43,019 --> 00:42:44,562 AND SAY, "HI, RYAN"? 782 00:42:44,562 --> 00:42:45,730 WHO'S THAT? 783 00:42:45,730 --> 00:42:47,106 HE'S A FRIEND. 784 00:42:47,106 --> 00:42:48,858 COME ON. JUST SAY IT FOR ME. 785 00:42:48,858 --> 00:42:50,402 HI, RYAN! 786 00:42:50,402 --> 00:42:52,695 YEAH.